Vice: Neo-Nazi Music Shows Return To Europe
"Alexander Ritzmann, senior adviser at the Counter Extremism Project, said that events like the concerts acted as “central networking hubs” for transnational extreme right-wing movements.
“They have a social function - [to] ‘make fascism fun’ - and they are used to make money for the movement through ticket sales, merchandise and catering,” he told VICE News.
Key figures in the right-wing extremist underground would typically meet up around the event and discuss areas of collaboration, including potentially violent actions. Ritzmann said there was no “clear distinction between the extreme right-wing music scene, and violent right-wing extremism.”
“They all meet at those events, where spreading hate propaganda against minorities is at the centre of the action,” he said"
The Counter Extremism Project Presents
Enduring Music: Compositions from the Holocaust
Marking International Holocaust Remembrance Day, the Counter Extremism Project's ARCHER at House 88 presents a landmark concert of music composed in ghettos and death camps, performed in defiance of resurgent antisemitism. Curated with world renowned composer, conductor, and musicologist Francesco Lotoro, the program restores classical, folk, and popular works, many written on scraps of paper or recalled from memory, to public consciousness. Featuring world and U.S. premieres from Lotoro's archive, this concert honors a repertoire that endured against unimaginable evil.